1,492 Royalty-Free Audio Tracks for "No Mix"

Emotional trap, trap, cinematic_146 bpm.

A short eastern feeling loop played on a semi-out of tune ukulele and recorded on an audio technica at2020 xlr microphone via audacity. Added reverbnormalised to -6dbnoise reductionh&l pass filtered.

Just some experimenting around with my modular. . . . . I take a signal from an lfo and split. I invert one of the signals and mix them.

Full matrix is a compilation audio i mixed and recorded from: jm_fx_matrix sound 02 julien matthey scroll_matrix. Wav melissapons telephone ring xyzr_kxfor use in a streaming underground hip hop music video show.

A plastic item falling in a kitchen. Meant to be mixed in with ambient sounds to add depth. Check out our other media services at: echocinematics. Com.

This is our rendition of heavy sonar looking for that enemy ship in the ocean. We thew in a bowswain's whistle just because that sounds like navy jargon in the mix. The pings are reworked bat chatter.

Here's a bunch of sounds i made for one stock for sale, but they rejected it. So here you go!. Synthesized with zynaddsubfx, sequenced and mixed with lmms.

Three part modular uncomposition. Or call it a patch driven by a mix ofchaos and order. Perfect as annoying sound. . . Made with a analog modular synth. The reverb is a spring reverb.

The very real sound of a wide leather belt, folded into a double strap and mercilessly applied with unnecessary and unexpected speed, and force. The impact was against a defenseless bare bottom. Mine. This was the only strike that had no expressions mixed.

Cracking open a cold one without the boys. Microphone: tawapyz usb microphone kitpost-processing: removed background noisebeverage can used: schöfferhofer weizen-mix grapefruit (alkoholfrei) ;).

Drumbeat made for the stones throw beat battle #391. This one has the snares very early. Made out of home cooked synthesized drum samples, mixed and added effects through reaktor.

Thunders and rain sounds recorder in 2014 with tascamdr07 in méxico, the sounds were mixed in adobe audition.

Samples of various 80-90s' game, crushed, mixed, stretched and processed with various effects, sampled at 6khz and resampled at 48khz with korg microsampler. Have fun.

A slow interlude with a romantic wistful feel. . . Mixed keyboards slightly slowed and stretched. . . Ideal for film backing and transition.

Suburb ambience, light rain, raindrops on concrete, heavy wind, thunders. Recording was made with neumann km183 + schneider disc + sound devices mix pre 10 ii.

This is the sound of a glass of water being stirred by a metal spoon. Recorded in stereo with a sony pcm-d100.

Rhythmic hammering on a metallic tool box with a scabbling pick (hammer). Four different styles - first mixed with some scratching sounds, then hammering in three rates of speed. Recorded on zoom h2.

Some weird little loops made in fls6. . . Kind of a mix between a simple slowed down dance beat and some odd percussionate sounds.

Weird atmospheric soundscape including hand drums keyboard and strings mixed through audacity. Someone said it sounds like the end of a war film.

I needed a big heavy door to slide open pretty quickly. So i started with this excellent sound: 31154__uataudio__hugeslidingdoorslamecm800and mixed and chopped to get this one. Hope it helps someone.

Made a nice lil low end snare because i was bored, probably the cleanest sounding yet. Mixed a low end tom with a snare and then did some compression, saturation, and excitement.

I did not create the individual sounds heard here, they were provided by sonniss royalty-free. I mixed the sounds to form this shooting scene where the bullets whizz past for a podcast i edit. Enjoy.

Field recording, venetian soundscape. Mixing and editing by roberto cuervorecording by students of architecture and design from international study program pei from pontificia universidad javeriana-colombia. June 2016.

My second sfx. Just wanted to try to mix a few sounds together that i found (one that i made). Freesound samples used:150305__dragout__war-sounds33245__ljudman__grenaderpg launch (made by me :>).

Suburb ambience, light rain, raindrops on concrete, heavy wind, thunders. Recording weas made with neumann km183 + schneider disc + sound devices mix pre 10 ii.

Recording train arrival, from left to right, at grønland t-bane station. Equipment: roland r-26, internal xy and omni microphones mixed down as stereo.

A surprisingly cool recording of me running my hand through a bucket of mixed beads. A unique white noise-y kinda sound. Used a zoom h4n to record.

This is a modified version of "earthkiller background 1", the background noise inside a space station. I removed some upper midrange (1700 hz) to make it easier to mix with dialog.

Stepping on a creaky spot of a wooden floor, recorded with a roland-r26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Various noises of a textile hat, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Http://i. Imgur. Com/9uvisga. Jpglighting a matchrecorded using zoom h1. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

Mix of sounds: recorded right over a cardboard box full of chicks (baby chickens) bouncing around pecking to create a popcorn effect while they chirp and young children play and talk in another room.

I crushed some minced meat and played with it between my fingers. This is the asmr sound of mushy food, or mixing a potato salad, etc. This was recorded at the open window institute sound booth in centurion, south africa.

Lean minced beef frying in the pan recorded with olympus ls 12, sounding like hard rain. Thunder-esque sounds recorded by blowing into the mic of my olympus ls 12. Mixed with segments of dry thunder3. Wav by juskiddink https://www. Freesound. Org/people/juskiddink/sounds/101948/ for the tail of my blow thunder and thunder! by netaj https://www. Freesound. Org/people/netaj/sounds/193170/ for the last clap of thunder. Reverb and delay added and mixed with ableton. As crap or good as it sounds i had loads of fun with this.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=escgljwh1nq&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=89. An excellent example of how my samples can be usedjames gallag - hot lovehttps://www. Youtube. Com/watch?v=nccpy40zyys. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 90 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/only addition is some sort of bass drum made with trig to filter.

An alternative take of the open-ended question and suggestion, "is your mixtape going to be good enough? perhaps it's time you added some. . . " and then a song can start or another word or phrase be added to the end.

At it again. Playing with dry mix beans in a plastic bowl. Sensually amelie poulain style. Twirl them, make them pour from my hands into the bowl, slowly drop one at a time, etc. H4n.

A mixture of white noise and subtle beeping noises mixed in ableton live 9 and edited in audacity. Works well in a future setting with broken computers or communication of some kind.

Roar of mallan-gong - giant monster platypus. Http://kaijucombat. Com/community/index. Php?threads/mallan-gong-the-great-protector. 10222. Mixed from the bear roar and didgeridoo sound.

Bike gear sound recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

This is the result of my big work with some samples from freesound and some samples that i made by myself. They were mixed all together and edited using lots of vst effects and software, reversed many times and mixed again, sampled in lo-fi quality and then again and again. . At first i wanted to use it by myself but then i thought: "why not share it with people? that can be useful. ". So please use it as you like, maybe you're an ambient or avantgarde music producer as me, and that can help you in your music. . Could be useful as a background. Enjoy!.

Sound of the sonic boom explosion caused by the russian meteorite over chelyabinsk, russia on february 15th, 2013. Taken from various youtube videos of the event, mixed, and sweetened with a bit of reverb.

Http://i. Imgur. Com/n4ebvp6. Jpgturning lights onrecorded using zoom h1. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

A recording made on a walk to jokhang temple in lhasa in june 2004, using a sharp minidisc recorder and a sony stereo microphone. Sound has been modified to highlight the rhythm of my feet on the pavement (a bit more echo than on mix 5).

40+ repetitions of the word "hello" with various inflection and faux accents. Recorded with sure sm7b via presonus iostation at 24bits 44. 1hz; no effects or gate, mixed down at 192k, 24 bit mono.

Scratching various surfaces with fingers, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

A slight variation on disclosure beat 130. Extra snares and busier hi hat pattern. 130 bpm, 4 bars. Programmed with caustic 3, mixed and processed with eq and compression with ardour and ready to go.

Short, heavy sound of a glass object being shattered. Created by mixing and editing, in audacity, some recordings of a glass object being thrown on the ground.